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Group Residency Programme Italy

Place, People and Time: PUBLISHING AS AN ARTISTIC PRACTICE

Tues 23 Sept – Tues 30 Sept 2025

Application Deadline:
Mon 14 April 2025

The Museum of Loss and Renewal is delighted to invite applications for the Group Residency PUBLISHING AS AN ARTISTIC PRACTICE, Italy.

This Group Residency has been devised by Tracy Mackenna (she/her), Curator of The Museum of Loss and Renewal in partnership with publishing artist and independent curator Fernanda Aránguiz M. (she/her) of PUBLICAR, Santiago, Chile.

PUBLISHING AS AN ARTISTIC PRACTICE will be lead by Tracy Mackenna and Fernanda Aránguiz M. who share a passion for the design, production, publishing and dissemination of printed matter and digital publications. Additional subject-specific sessions will be delivered by multidisciplinary experts.

It is offered for creative practitioners and researchers working with printed matter and publishing as an artistic practice and for those who have a strong interest in this area. The group will comprise of approx. nine participants.

Focal Points

  • Interdisciplinarity
  • Immersive experience
  • Materiality and form
  • Image – text relationships
  • Technological innovation
  • Readings of alternative theories and texts
  • Experimentation
  • Co-learning
  • Individual practice
  • Collective knowledge
  • Semi-structured programme
  • Expert facilitator/s and guest contributors
  • Supportive, caring, non-hierarchical environment
  • Peer and self reflection
  • Fully catered
  • Publics; participants and audiences
  • Collective publication
  • Natural environment of exceptional significance

Aim

The aim of this residency is to provide a supportive and stimulating environment to develop your production skills and knowledge of artists’ publications, printed matter and publishing as an artistic practice. Alongside individual practice, the residency will have a focus on knowledge exchange, creating opportunities to learn from each other.

Opportunities are created for creative practitioners and researchers to share and establish a bank of knowledge and creative strategies, both globally interconnected and hyper local, digital and analogue, for imagining new responses to publications and publishing. Bringing together residents from a range of areas of practice and research, the potential to create an international network is made possible.

Ways of Working

The group residency will provide a partially-structured and hands-on programme to enable residents to develop their skills, and understanding of artists’ publications and publishing as an artistic/creative/contemporary practice. The residency experience is designed to stimulate new ways of thinking and experimentation through production, research, learning and presentation. Residents will work collectively and individually.



The residency is devised around the idea of publications as platforms for creative encounters among subjectivities, narratives, disciplines, media and others; and as a means for sharing our particular and subjective sense of the real. By listening, looking and making residents will investigate image, text, typography, object and context relationships. 

A series of group sessions supported by specific learning models will enable you, without hierarchies, to explore your own practice and the residency theme ‘publishing as an artistic practice’. 


Formatos de lo real [Formats of the real] will ask ‘what is your relationship to books and publishing?’, Querido lector: no lea [Dear reader: don’t read] will explore medium versus message, and Publicar como práctica … [Publishing as a … practice] will enable the creation of a collective publication from concept to physical object.



Sessions will be facilitated by Tracy Mackenna and Fernanda Aránguiz M. who will provide practical and theoretical mentoring. The residency will have an offline engagement with an international relevant expert / like-minded initiative that will provide bespoke content, expanding the residency in time and space.



You will explore various approaches to publishing as an artistic practice from historical and contemporary perspectives. By presenting and discussing key subjects such as analogue-digital relationships, platforms available to independent-publishers, small presses, artists’ groups and collectives we aim to facilitate an ongoing creative dialogue between making and discussing while immersed in the stunning environment of Collemacchia’s mountain landscape itself.



Opportunities for participants to share work in progress will happen throughout the residency, enabling conversations and peer support. The programme includes time to develop your own work and to experience the local environment.

FACILITATORS and PROGRAMME CONTRIBUTOR

FACILITATORS

TRACY MACKENNA



Tracy Mackenna (Prof Emerita; SCO-IT) is an artist and the Curator of The Museum of Loss and Renewal and The Museum of Loss and Renewal Publishing. Her specialist areas are contemporary art practice, artistic research, art writing, collaborative practices, mentoring, publishing as an artistic practice, and art education.

The themes of loss and renewal run through her work, investigated through durational engagement with people, place and time, focussing on identity, belonging, memory and imagining new sustainable and accessible futures. She explores and makes with collaborators and partners, integrating art, co-learning and society.

Exhibition projects and publications have been commissioned by e.g. CCA Glasgow, Barbican Art Gallery London, Migros Museum für Gegenwartskunst Zürich, Scottish National Portrait Gallery, P3 Art and Environment Tokyo, Stedelijk Museum Schiedam the Netherlands.

FERNANDA ARÁNGUIZ M.

Fernanda Aránguiz M. (Santiago, Chile) is an artist, publisher and independent curator. She runs the publishing house and web platform publicarcomopractica.com, an initiative born and named after her research on publishing as an interdisciplinary creative practice, and the book PUBLICAR (2021): a collection of textual, visual, and graphic reflections on publishing in and from Chile. Through PUBLICAR, she collaborates with artists and creators, using diverse media and formats to make publications as particular as the work they produce; and participates in art book fairs, exhibitions, talks, and seminars on printed matter, publishing as a practice and books as artworks.

Her individual artistic research focuses on publications and writing as a representational framework for ‘the real’. She is currently pursuing a PhD in Media Studies and teaching as a university lecturer in Santiago.

PROGRAMME CONTRIBUTOR

BERTA FERRER

Berta Ferrer is Architect of Books (@arquitectadelibros). A graphic designer, researcher and writer specialised in book and editorial design. With an MA in Architecture and MA in Graphic Design, she combines her creative and academic work with her Ph.D. focus which centred on the possibilities for communication offered by the book as a physical object in the digital era.

She lectures in Graphic Communication at the University of Reading, UK and Graphic Design at Barreira Arte+Diseño in Spain. She also delivers book design workshops and seminars to international schools and universities, aiming to challenge the conventions of reading and the materiality of the object.

FACILITIES

Accommodation / Residents are accommodated in two recently renovated, comfortable houses situated a couple of minutes walk from each other. Houses have fully equipped kitchens, bathrooms, sitting rooms, and double, twin and single bedrooms. Single use bedrooms can be allocated dependent on accessibility requirements. Central heating and internet throughout. Cleaning is included in cost.



Studios / Workspaces are located in buildings that are situated a couple of minutes walk from each other, and from accommodation. They are recently renovated and include indoor and outdoor making spaces, and desk space. Internet throughout.

Fee

The Residency Programme is operated on a non-commercial cost-covering basis, and is financially supported by The Museum of Loss and Renewal in order to keep fees low. The residency fee is €1750 (Euro) paid by the resident. It includes the residency programme, accommodation, full board, collection/return to nearest train/bus station, accommodation in a variety of spacious rooms, excellent studio spaces. Double, twin and single bedrooms are available. Single bedrooms are allocated dependent on access needs. Catering (3 meals each day) includes ingredients that are mainly locally sourced and meals prepared by our cook. Vegan and vegetarian diets can be catered for.

A 50% deposit is payable within two weeks of accepting a place on the Group Residency. The remaining 50% is payable six weeks in advance of the start of the Group Residency.

You will be responsible for funding and organising your own travel, your own insurances and any visa requirements particular to your country of origin. Detailed travel information will be supplied (closest airports Naples, Rome), and collection/drop-off at a local train station will be arranged.

We do not have external funding for this project, so regret that we are unable to offer assistance with fees, flights, production costs or other subsistence. Typically, successful applicants source funding by applying to their national arts funding bodies, personal fundraising, or through academic institutional support. Formal letters of invitation can be provided to assist in this process.

Schedule Outline

Day 01

Arrival (transport from Venafro to Collemacchia), orientation, introductions, dinner, readings

Days 02-07

  • Subject-specific sessions by facilitators
  • Presentations and exercises by programme contributors
  • Collective and individual (mentored) working sessions
  • Working sessions in the local environment
  • Museum / gallery / festival visit
  • Readings of theories and texts
  • Catered discursive meals
  • Collective critical evaluation and forecasting

Day 08

Departure (transport from Collemacchia to Venafro)

A detailed programme with dates and times will be provided to residents before arrival.

Eligibility

  • You can be at any stage of your (creative) career
  • The programme may best suit (creative) practitioners who are seeking to develop their knowledge and skills within an environment of learning and discussion
  • More experienced applicants are very welcome to apply
  • Open to (creative) practitioners based in any country but applicants should have a good working knowledge of English
  • Applications from duos and partnerships are welcomed

Testimonials

  • The residency has had a profound impact on my practice and research.

    Having the space to share ideas with others in such a beautiful place was invaluable – Tracy and the team, as well as the visiting speakers, created such a supportive and inspiring environment.

    The sessions and trips were all absolutely brilliant. I would love to repeat any and all of them again and again! The house was comfortable, the food delicious, and the location phenomenal.

    Rebecca Bell, 2024
  • My time in residence was the highlight of my year; it really changed my life and mindset for the better.

    Stine Danielle, Canada, 2024
  • The residency programme that just keeps giving.

    Maree Hensey, Ireland, 2024
  • The MICRO-MACRO Group Residency (Orkney) was transformational, both creatively and personally. 

    The programme of inspirational and multi-disciplinary contributors, combined with deep immersion in, and exploration of Orkney’s many layered natural and human histories provided a perfect balance for the investigation of site as part of creative practice. 

    Our diverse cohort of contributors, artists, writers and poets quickly developed a strong rapport, generously supporting each other and sharing diverse practices, perspectives and ideas. We were looked after all week with care, kindness and delicious food! Thank you.

    Mary Muir, Orkney-England, 2024
  • A high-point in the cycle of my year as a composer, researcher, and educator. 

    Multiple residencies with The Museum of Loss and Renewal continue to provide both time and space in which to incubate my ideas and fuel ongoing research, and allow me to be in an enriching environment wherein I feel that I am able to return to my most true ‘self’ as a human, as a creator. 

    The fact that my great-grandparents came from a mountain village near Collemacchia has extra meaning for me: it brings my work beyond the purely academic, beyond the purely creative – it is personal, it is familial, and it continues to shape my identity, strengthening my feeling of connection to the inner and outer landscape.

    Antonio Forte, USA, 2024
  • The DRAWING WITH PLACE (Orkney) Group Residency was a gentle boost to my confidence; being in a new environment and having precious, reflective space.

    The programme was extraordinary, and the selection of artists who delivered was beyond what I had imagined.

    The variety of input from the invited speakers continues to resonate and was held so beautifully by Tracy; I benefited from her gentle, clear input.

    I would and have recommended the residency to many fellow artists/creatives.

    Sarah Goudie, England, 2024
  • The Museum of Loss and Renewal has been a very special place for me to start the writing of a book. The history of Collemacchia, the company of other creatives, and the studio facilities made for a great environment that provided me with both the comfort and the inspiration I needed.

    Joris Melman, the Netherlands, 2024
  • Spending the week with the MICRO-MACRO (Orkney) group helped me realise that collaborative making and thinking can be more spontaneous, playful and generous than I’ve ever experienced or imagined. 

    The selection of participants was very well considered, and I really appreciated being in the Orkney landscape with incredibly open people of different ages, nationalities and with diverse arts practices.

    Tracy provided a strong structure for the residency, offering critical thinking when needed without disrupting the group dynamic in any way – a skilful balance well-maintained.

    Jac Cambell, England, 2024
  • The MICRO-MACRO (Italy) Group Residency has had such a positive impact on my practice and research. 

    Learning from Tracy and Amanda through open conversation, presentations and practical activities was a wonderful experience. I am very grateful for their support and for my time in Collemacchia.

    Alongside the residency programme I was able to connect to the area, which is very important to me personally and for my practice.

    Carla Smith, Scotland, 2024
  • The individual residency, Taking Time / Prendendo Tempo offered me the unique opportunity to do just that — take time to experience Molise — one of my ancestral lands.

    Each day provided new opportunities to connect and learn from the other residents and engage in self-reflection of my own artist practice; all under the guidance of the extraordinary Tracy Mackenna.

    Kate Colabella, USA, 2024
  • The MICRO-MACRO (Italy) Group Residency provided me with a great sense of inspiration and space to reflect on my practice, both past and regarding possible futures.

    The beautifully-designed and maintained living and working spaces, structured by home-cooked meals prepared with love and attention, cast a special light on residents’ everyday life: they give space to breathe.

    Fred Landau-Donnelly, Germany, 2024
  • Tracy is a fantastic mentor and guide, and I surprised myself by how easily I was able to settle and start making and thinking. 

    Excellent studios, accommodation and library.

    Collemacchia is a unique place which continues to resonate with me – I hope to return!

    Marion Harrison, England, 2024
  • My Taking Time / Prendendo Tempo residency was an incredible experience. 

    It was really special to allow myself to fully follow my intuition and my body, instead of overthinking my energy, my time, my tasks. Being able to freely wander, write, read, photograph, draw, talk, cook, feel, walk, and create often with a cappuccino and cornetto pushed my practice and research into unexpected directions.

    I am so grateful to have shared this rollercoaster with incredible people, who each had beautiful stories and touching motivations for being there.

    Marieke Folkers, the Netherlands, 2024
  • The experience of a temporary artistic community was the primary contribution to my practice/research: constructive and mutually supportive. The framing of the Taking Time / Prendendo Tempo residency was linked to the immediate social, cultural and natural environment.

    There was an excellent balance between the communal living spaces, which were very conducive to communication and support.

    Tracy’s curatorship, mentorship and guidance was crucial to grounding residents in the environment. Her knowledge and experience of the area’s history and contemporary society provided contextualisation and connection; and she was very generous with her time and availability: an excellent balance.

    Duncan Ross, Ireland, 2024
  • The residency exposed me to a stimulating coupling of natural, historical, material and community phenomena that percolated new, exciting projects that I’m now processing. 

    The library was an excellent resource that stimulated new ideas and refreshed concepts that had become dormant, especially those devoted to art writing and photo books. 

    Tracy offered guidance and critique that created context for many of my ideas; she was also generous in delivering a session about the ‘photo book’ that has seeded further personal investigation into the process.

    David D’Agostino, USA, 2024
  • My time in Collemacchia was packed full of opportunities to share ideas and experiences, to create new works both on my own and with input from others and to pause in the mad rush of our modern lives to think and allow the experience to wash over me. I felt at one with the place, intrigued as much by its history and mood. 

    I was encouraged by Tracy and her approach to pass on her knowledge and experience while at the same time allowing me space. I have learned much and grown in confidence and experience and have a long list of things to research in more depth and creative works I want to explore. Thank you. 

    Richard Dalgleish, Scotland, 2024
  • My residency offered me a wonderful opportunity to go deeper into my practice and to be open to developing my artistic expression and voice. Immersing myself fully allowed me time and space to take risks, to experiment with compositional elements, to innovate and to learn, which was an extraordinary gift.

    The freedom to work in this way has had a profound impact on my practice and works I created while in residence are providing rich and exciting starting points for a new body of work. 

    Tracy’s mentorship was so valuable and I am already taking steps to incorporate her advice into my creative practice. Her curatorship of the residency, her care, enthusiasm and passion ensured that this residency was an outstanding experience and I am forever grateful to her for providing this opportunity to me and all of the other creatives that I met during my time at Collemacchia.

    I would really love to return and to spend more time in the future.

    Marie Salinger, Australia, 2024
  • My time in residence was the highlight of my year; it really changed my life and mindset for the better.

    Stine Danielle, Canada, 2024
  • The residency programme that just keeps giving.

    Maree Hensey, Ireland, 2024
  • My time in Collemacchia was marked by wonderful discoveries, in natural and archeological landscapes, as well as in my creative practice. You created an inspiring environment, very well suited for reflection and experimentation, which was what I needed to stir my work in a new direction. I also enjoyed our conversations about art, your intellectual perspective, book recommendations, and feedback about my production.

    Rodrigo de Toledo, Brazil and USA, 2024
  • Taking Time at The Museum of Loss and Renewal is an artistic retreat experience like no other. As soon as I arrived I knew I had stepped into an extraordinary environment, both in terms of landscape and community: a space to breathe, form new relationships and renew my creative practice, my sense of purpose.

    What I did not anticipate then was how Tracy’s deep connection to Collemacchia, her practical attention to detail and inspirational mentorship would lead me into new unexpected places and help facilitate for me an entirely new body of work.

    Cathy Stonehouse, Canada, 2024
  • My experience at The Museum of Loss and Renewal in Collemacchia, Italy was astounding; I have never enjoyed the balance of solitude together with a generous, nurturing community more than I have here.

    The landscape revealed itself to me slowly and kindly – as I walked and listened, it held me tenderly, coaxing me to explore, challenge myself and take time to create work. The studios are professionally appointed, well equipped spaces.

    I am humbled by and immensely appreciative of Tracy’s ongoing mentorship, academic and personal support while so far from home. Her skill in connecting my work with the diverse library resources on site and key ideas have assisted to significantly advance the conceptual basis of my practice.

    For this and all her gifts, I am grateful.

    Melinda Giblett, Australia, 2024
  • Being part of the Individual Residency Program was truly life-changing.

    Tracy is a wonderful mentor and working artist. Her genuine interest in each artist’s work fostered a sense of community, enriching not only my creative process but also nurturing meaningful connections with fellow artists.

    This residency provided the ideal balance of structure and freedom, enabling me to explore new artistic depths, leaving an indelible mark on my art making process.

    The experience has left such a warm mark on my artistic journey; I’ll cherish it forever.

    Cynthia Ludlam, USA, 2023
  • My residency was a transformative experience in a warm and supportive environment.

    Beautiful facilities were provided, and I was welcomed with genuine hospitality, a wealth of knowledge and inspiration.

    Dedicated time for reflection allowed me to set a clear direction for my artistic practice, and the proactive guidance given exceeded my expectations.

    Deborah Scott, USA, 2023
  • I am immensely grateful for the enriching experience of participating in the Drawing with Place Group Residency in Orkney, that was lead by Tracy. The profound connection to the character of the land was evident in every aspect, fostering a deep sense of place. This residency served as a poignant reminder that my creative practice is not just an act of creation but a continuous practice of listening and cultivating a relationship with my surroundings.

    Justin McIntosh, USA, 2023
  • I’ve been doing a lot of reflection lately and thinking about all of the nourishing experiences I’ve had that have made a difference in my life and career and one of them is the wonderful time I spent in Collemacchia and your very generous support and guidance. And again when we came as a group a positive ripple manifested in different ways!

    Laura McSorley, Scotland, 2023