Group Residency Programme Italy
Place, People and Time: PUBLISHING AS AN ARTISTIC PRACTICE
Tues 23 Sept – Tues 30 Sept 2025
Application Deadline:
Mon 14 April 2025
The Museum of Loss and Renewal is delighted to invite applications for the Group Residency PUBLISHING AS AN ARTISTIC PRACTICE, Italy.
This Group Residency has been devised by Tracy Mackenna (she/her), Curator of The Museum of Loss and Renewal in partnership with publishing artist and independent curator Fernanda Aránguiz M. (she/her) of PUBLICAR, Santiago, Chile.
PUBLISHING AS AN ARTISTIC PRACTICE will be lead by Tracy Mackenna and Fernanda Aránguiz M. who share a passion for the design, production, publishing and dissemination of printed matter and digital publications. Additional subject-specific sessions will be delivered by multidisciplinary experts.
It is offered for creative practitioners and researchers working with printed matter and publishing as an artistic practice and for those who have a strong interest in this area. The group will comprise of approx. nine participants.




Focal Points
- Interdisciplinarity
- Immersive experience
- Materiality and form
- Image – text relationships
- Technological innovation
- Readings of alternative theories and texts
- Experimentation
- Co-learning
- Individual practice
- Collective knowledge
- Semi-structured programme
- Expert facilitator/s and guest contributors
- Supportive, caring, non-hierarchical environment
- Peer and self reflection
- Fully catered
- Publics; participants and audiences
- Collective publication
- Natural environment of exceptional significance



Aim
The aim of this residency is to provide a supportive and stimulating environment to develop your production skills and knowledge of artists’ publications, printed matter and publishing as an artistic practice. Alongside individual practice, the residency will have a focus on knowledge exchange, creating opportunities to learn from each other.
Opportunities are created for creative practitioners and researchers to share and establish a bank of knowledge and creative strategies, both globally interconnected and hyper local, digital and analogue, for imagining new responses to publications and publishing. Bringing together residents from a range of areas of practice and research, the potential to create an international network is made possible.


Ways of Working
The group residency will provide a partially-structured and hands-on programme to enable residents to develop their skills, and understanding of artists’ publications and publishing as an artistic/creative/contemporary practice. The residency experience is designed to stimulate new ways of thinking and experimentation through production, research, learning and presentation. Residents will work collectively and individually.
The residency is devised around the idea of publications as platforms for creative encounters among subjectivities, narratives, disciplines, media and others; and as a means for sharing our particular and subjective sense of the real. By listening, looking and making residents will investigate image, text, typography, object and context relationships.
A series of group sessions supported by specific learning models will enable you, without hierarchies, to explore your own practice and the residency theme ‘publishing as an artistic practice’.
Formatos de lo real [Formats of the real] will ask ‘what is your relationship to books and publishing?’, Querido lector: no lea [Dear reader: don’t read] will explore medium versus message, and Publicar como práctica … [Publishing as a … practice] will enable the creation of a collective publication from concept to physical object.
Sessions will be facilitated by Tracy Mackenna and Fernanda Aránguiz M. who will provide practical and theoretical mentoring. The residency will have an offline engagement with an international relevant expert / like-minded initiative that will provide bespoke content, expanding the residency in time and space.
You will explore various approaches to publishing as an artistic practice from historical and contemporary perspectives. By presenting and discussing key subjects such as analogue-digital relationships, platforms available to independent-publishers, small presses, artists’ groups and collectives we aim to facilitate an ongoing creative dialogue between making and discussing while immersed in the stunning environment of Collemacchia’s mountain landscape itself.
Opportunities for participants to share work in progress will happen throughout the residency, enabling conversations and peer support. The programme includes time to develop your own work and to experience the local environment.

FACILITATORS and PROGRAMME CONTRIBUTOR
FACILITATORS
TRACY MACKENNA
Tracy Mackenna (Prof Emerita; SCO-IT) is an artist and the Curator of The Museum of Loss and Renewal and The Museum of Loss and Renewal Publishing. Her specialist areas are contemporary art practice, artistic research, art writing, collaborative practices, mentoring, publishing as an artistic practice, and art education.
The themes of loss and renewal run through her work, investigated through durational engagement with people, place and time, focussing on identity, belonging, memory and imagining new sustainable and accessible futures. She explores and makes with collaborators and partners, integrating art, co-learning and society.
Exhibition projects and publications have been commissioned by e.g. CCA Glasgow, Barbican Art Gallery London, Migros Museum für Gegenwartskunst Zürich, Scottish National Portrait Gallery, P3 Art and Environment Tokyo, Stedelijk Museum Schiedam the Netherlands.
FERNANDA ARÁNGUIZ M.
Fernanda Aránguiz M. (Santiago, Chile) is an artist, publisher and independent curator. She runs the publishing house and web platform publicarcomopractica.com, an initiative born and named after her research on publishing as an interdisciplinary creative practice, and the book PUBLICAR (2021): a collection of textual, visual, and graphic reflections on publishing in and from Chile. Through PUBLICAR, she collaborates with artists and creators, using diverse media and formats to make publications as particular as the work they produce; and participates in art book fairs, exhibitions, talks, and seminars on printed matter, publishing as a practice and books as artworks.
Her individual artistic research focuses on publications and writing as a representational framework for ‘the real’. She is currently pursuing a PhD in Media Studies and teaching as a university lecturer in Santiago.
PROGRAMME CONTRIBUTOR
BERTA FERRER
Berta Ferrer is Architect of Books (@arquitectadelibros). A graphic designer, researcher and writer specialised in book and editorial design. With an MA in Architecture and MA in Graphic Design, she combines her creative and academic work with her Ph.D. focus which centred on the possibilities for communication offered by the book as a physical object in the digital era.
She lectures in Graphic Communication at the University of Reading, UK and Graphic Design at Barreira Arte+Diseño in Spain. She also delivers book design workshops and seminars to international schools and universities, aiming to challenge the conventions of reading and the materiality of the object.
FACILITIES
Accommodation / Residents are accommodated in two recently renovated, comfortable houses situated a couple of minutes walk from each other. Houses have fully equipped kitchens, bathrooms, sitting rooms, and double, twin and single bedrooms. Single use bedrooms can be allocated dependent on accessibility requirements. Central heating and internet throughout. Cleaning is included in cost.
Studios / Workspaces are located in buildings that are situated a couple of minutes walk from each other, and from accommodation. They are recently renovated and include indoor and outdoor making spaces, and desk space. Internet throughout.



Fee
The Residency Programme is operated on a non-commercial cost-covering basis, and is financially supported by The Museum of Loss and Renewal in order to keep fees low. The residency fee is €1750 (Euro) paid by the resident. It includes the residency programme, accommodation, full board, collection/return to nearest train/bus station, accommodation in a variety of spacious rooms, excellent studio spaces. Double, twin and single bedrooms are available. Single bedrooms are allocated dependent on access needs. Catering (3 meals each day) includes ingredients that are mainly locally sourced and meals prepared by our cook. Vegan and vegetarian diets can be catered for.
A 50% deposit is payable within two weeks of accepting a place on the Group Residency. The remaining 50% is payable six weeks in advance of the start of the Group Residency.
You will be responsible for funding and organising your own travel, your own insurances and any visa requirements particular to your country of origin. Detailed travel information will be supplied (closest airports Naples, Rome), and collection/drop-off at a local train station will be arranged.
We do not have external funding for this project, so regret that we are unable to offer assistance with fees, flights, production costs or other subsistence. Typically, successful applicants source funding by applying to their national arts funding bodies, personal fundraising, or through academic institutional support. Formal letters of invitation can be provided to assist in this process.
Schedule Outline
Day 01
Arrival (transport from Venafro to Collemacchia), orientation, introductions, dinner, readings
Days 02-07
- Subject-specific sessions by facilitators
- Presentations and exercises by programme contributors
- Collective and individual (mentored) working sessions
- Working sessions in the local environment
- Museum / gallery / festival visit
- Readings of theories and texts
- Catered discursive meals
- Collective critical evaluation and forecasting
Day 08
Departure (transport from Collemacchia to Venafro)
A detailed programme with dates and times will be provided to residents before arrival.
Eligibility
- You can be at any stage of your (creative) career
- The programme may best suit (creative) practitioners who are seeking to develop their knowledge and skills within an environment of learning and discussion
- More experienced applicants are very welcome to apply
- Open to (creative) practitioners based in any country but applicants should have a good working knowledge of English
- Applications from duos and partnerships are welcomed